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''The Tragedy of Tragedies'', also known as ''The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great'', is a play by Henry Fielding. It is an expanded and reworked version of one of his earlier plays, ''Tom Thumb'', and tells the story of a character who is small in stature and status, yet is granted the hand of a princess in marriage; the infuriated queen and another member of the court subsequently attempt to destroy the marriage. In adapting his earlier work Fielding incorporated significant plot changes; he also made the play more focused, and unified the type of satire by narrowing its critique of the abuses of language. Additionally, in a reaction to the view that ''Tom Thumb'' was a burlesque, Fielding replaced some of the humour in favour of biting satire. The play was first performed at Haymarket on 24 March 1731, with the companion piece ''The Letter Writers''. Critics enjoyed the play, but pointed out that it was originally designed as a companion piece to ''The Author's Farce''. ==Background== ''The Tragedy of Tragedies'' was an expanded and rewritten version of ''Tom Thumb''. Fielding altered the play because although audiences enjoyed the play they did not notice the satire directed at the problems of contemporary theatre; the rewrite was intended to make the satire more obvious. The play was first performed on 24 March 1731 at the Haymarket Theatre in London, with the companion piece ''The Letter Writers''. Its printed edition was "edited" and "commented" on by Fielding's pseudonym H. Scriblerus Secundus, who pretends not to be the original author.〔Rivero 1989 pp. 70–73〕 It contains a frontispiece by Hogarth, which serves as the earliest proof of a relationship between Fielding and Hogarth.〔Dudden 1966 p. 60〕 The printed edition was available on opening night and the notes included with the printed edition served as a way to explain the play. It was printed by James Roberts alongside of an edition of ''The Letter-Writers''. The printed version of ''The Tragedy of Tragedies'' created two versions of the play, one that was acted and another that was to be read, and both contained humour catered to each.〔Battestin and Battestin 1993 p. 107〕 Fielding believed modern tragedies to be superior to the Classic Greek tragedies because the Classics could only invoke pity and fear in the audience, while modern tragedies were able to leave the audience laughing at the ridiculous situations onstage. Fielding referred to these modern works as "laughing tragedies" and claimed that the only difference between his work and the modern tragedies was that his work was intentional in its laughter.〔Lewis 1987 p. 113〕 Fielding's play was later adapted into ''The Opera of Operas; or Tom Thumb the Great'' by playwrights Eliza Haywood and William Hatchett. It ran 13 nights at the Little Theatre starting 31 May 1733 and was discontinued because of the hot weather. It was later continued and had many shows during the seasons following.〔Ingrassia 1998 pp. 106–107〕 ''The Tragedy of Tragedies'' turned out to be one of Fielding's most enduring plays, with interesting later revivals. The novelist Frances Burney played Huncamunca in private productions of 1777, there was a private production done by the family of Jane Austen at Steventon in 1788, and professor William Kurtz Wimsatt, Jr. played the giantess Glumdalca at a Yale University production in 1953.〔Keymer (2007) pp. 26–27〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Tragedy of Tragedies」の詳細全文を読む スポンサード リンク
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